- HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER HOW TO
- HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER SOFTWARE
- HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER CODE
- HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER PROFESSIONAL
I think the order of sonic importance is like a chain, with the player first, then instrument, then microphones and so on, down the line. How do you prepare your instruments for sampling? That was definitely a challenging part of the build. We needed to allow for that and devised a way to ensure that every key press is made when the solenoid is at precisely the same temperature. The solenoids that move the fingers are essentially electromagnets so they heat up every time they are in use. One of the most difficult problems to solve was taking into account the effect that heat has on magnetism. I think that anyone who’s ever recorded quiet instruments can relate to having to hold their breath until a note has finished ringing out. There’s another less obvious advantage the robot doesn’t need to stop to breathe. It’s almost completely autonomous and can capture an entire 88 key piano at 16 velocities per note in about 48 hours. The robot allows for an incredible amount of precision and consistency at the recording stage. That’s why you developed the robot fingers? The integrity of the response curve of every note is maintained and that leaves the interpretation up to the player, feeling just right under the fingers. On a real mechanical keyboard one note might have a slightly different response than the next, and that’s how the sample feels too. I discovered that this gives a stunningly honest sonic snapshot of the original instrument. Instead, it would be decided by a set amount of force, just like a real-life player. I wanted to figure out a way to apply a precise amount of force to the keys consistently, then the velocity zone mapping wouldn’t be dictated by amplitude.
HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER HOW TO
How did that curiosity apply to sampling?Īs a garage inventor and serial tinkerer I’ve always been curious about how to automate the process of sampling keyboard instruments taking human interpretation out of the process and sampling in a ‘scientific’ way.
HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER SOFTWARE
From software for haptic wearables to stomp boxes, and eventually our keyboard sampling robot. Once the door to collaboration was open we immediately started to build all kinds of crazy projects together.
HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER CODE
It only took him a day to completely rework the code and I was shocked at his speed and ingenuity. It started to snowball when I showed him code that I had written for an Arduino project I was working on. I soon found that this guy was so much more than a composer’s assistant. So I posted on the Berklee College of Music career message board and Azrul replied. We were about to leave on a surfing trip to Bali and I needed a new composer’s assistant in a hurry. 1” (Napalm).įor many years Dana and I have been creating music together (when we’re not surfing that is). Dana actually recorded and mixed The Smashing Pumpkins’ “Shiny and Oh So Bright Vol.
Legendary producer Rick Rubin often taps Dana’s skills for lots of projects including for Justin Timberlake and Red Hot Chili Peppers. He was subsequently hired by award-winning sound designer Alvin Wee, to create a new Kontakt drum kit for Dominic Lewis, featuring Brad Wilks (Rage Against The Machine).ĭana Nielsen is a Grammy-nominated mixer, engineer, producer, and multi-instrumentalist known for his work with top-tier artists like Rihanna, Adele, The Smashing Pumpkins and Kanye West.
HOW TO ADD A BASS LINE WITH KONTAKT 6 PLAYER PROFESSIONAL
He began his professional career designing custom Kontakt instruments for composer Jeff Russo, for shows such as Fargo, Channel Zero and Legion. We’ve been involved in a ton of award-winning film, television and advertising throughout the years.Īzrul Saleh is skybox Audio’s Kontakt scripting wizard and a creative powerhouse. For twenty years I’ve partnered with music production collective Beacon Street Studios, based in California. My background is as a bass player, composer, music producer. Like most sample library producers, we have a dedicated small team. To celebrate, we sat down with founder Danny Dunlap to learn how the company continues to innovate. Most recently, Hammers + Waves has been inducted into our own NKS shop, where you can currently grab four different flavors at a special introductory price. Since then, the team have been quietly working away on Hammers + Waves, a suite of libraries which have developed into a comprehensive keyboard collection. Their unique products have been the talk of the Kontakt sampling world ever since they announced that they were working on libraries with the help of an autonomous robotic assistant. It’s been an exciting few years for skybox Audio.
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